ANTI-WHITE MEDIA MALICE
Britain’s notorious anti-White media again embarks on a scurrilous campaign the aim of which is to demonise citizens concerned at the immigrant invasion. Hardcash Productions is putting the finishing touches to a media circus based on Stalin’s notorious show trials.
Owned by self-styled TV producer David Henshaw his grotesque minuscule company is based at unit 215, 39-41 North Road, London N7 9DP (tel: +44 (0) 20 3828 0910. Yet, the bizarrely named company’s website is ‘currently being updated’.
The company’s productions tend to be labeled ‘undercover’, a code word for hatchet-job on any who don’t sing to the liberal hymn sheet. The leftist company’s mission is to vomit hate-filled diatribes at trusting innocents its reporter entrapped.
A Hardcash fake news hack, using the name ‘Hazel Brown’, has been uncovered by her victims. A Mistress of Deceit, the undercover Hardcash self-styled reporter was caught secretly recording anti-immigration campaigners.
The hack’s treacherously acquired footage will be screamed (sic) on November 9, ‘Exposure Undercover. Inside Britain’s Far Right’. All know what to expect and are unlikely to be disappointed.
The programme is to be chaired by super libtard (liberal-retard) Nick Fowles. Dubbed Nick the P**** by those who don’t like him the politically unscrupulous Fowles is associated with the far left Antifa supporting ‘Hope Not Hate’ group. Among this hate-filled group are to be found sinister Marxists and supporters of DAESH.
During the coming production expect to see ordinary people attending peaceful rallies vilified as ‘hardcore’, ‘extreme right-wing’, ‘neo-Nazis’, ‘white supremacists’, accompanied by the usual leftist rhetoric.
Strategies used by deceitful journalists were revealed by Michael Walsh in his best-selling Europe Arise. The pro-European manual exposes hacks and police tactics used against ethnic-patriots.
Having won the confidence and befriended their trusting victims’ media hacks incite and invite off colour remarks. Whilst chatting to unsuspecting victims they promise that ‘racist’ expressions are off the record.
In fact, such remarks are very much on the record and appear in TV inspired anti-White hatchet-jobs. Hours of footage will be tossed to the cutting room floor leaving only the 1 per cent remarks that suit the programme’s anti-White hate-filled agenda. Possibly the reason reporters are known as tossers.
In common with all mainstream media, Hardcash productions are based on the teachings of Britain’s ill-famed red-top tabloid editor. Sun editor Derek Jameson caused outrage when he described tabloid journalism: “All the nudes fit to print and all the news printed to fit.”
Matthew Pariss a British Press Awards Columnist of the Year described British television: “Television lies. All television lies. It lies persistently, instinctively and by habit. Everyone involved lies. A culture of mendacity surrounds the medium and those who work there live it, breathe it and prosper by it. I know of no area of public life, no, not even politics, more saturated by a professional cynicism.
Exposure Undercover: Inside Britain’s Far Right’ is not interested in providing duped viewers with an objective analysis of anti-immigration concerns. Henshaw’s purpose is to set-up a media show trial with the aim of manipulating public opinion to a Leftist pro-immigrant agenda.
(Thank you for sharing real news).