HONESTY BOX Our news isn’t free for those who work to bring it to you; we depend on donations (click TeamWork). Please share our stories and purchase from our bookstore.

It is highly interesting to note that Pablo Picasso (1881 – 1973), the leading anti-fascist artist did not flee to England or move to Vichy but settled down in German-occupied Paris. There, the artist was able to work unmolested and he ignored both the Gaullist and the Communist resistance movement.

Art has progressed

The French Resistance is much over-hyped by palace publishers and shekel-chasing journalists. Less than 1% of the French population supported the coalition of Communist-backed anti-Fascists. Pablo Picasso was not among the 1 percent.

Art as in modern

The Spanish artist maintained a cordial relationship with the German occupiers. Throughout the occupation, he did not associate with the Communist front but saw advantages to doing so immediately before the American occupation of France in August 1944.

Illegal and Legal Art

Maxime Laguerre, a French historian, published: Our Society at the Abyss; the Errors of Progress and the Consequences. This book appeared in Germany when published by the Hohenrain Publishing House under the German title: `Unsere Gesellschaft am Abgrund, Irrewege des Fortschritts und seine Folgen.´

fun 4

The English language translation carries the gifted artist’s honest admission who conceded that he was filled with contempt for charlatans who debased art and the fools who admired such nonsense.

Amadeus National Theatre, London

This devastating put-down was published in Impact Magazine, South Africa in 2001. The Spanish artist lamented, “When art ceases to be the soul-nourishment of the best minds, the artist is permitted to exploit his best talents by employing all the tricks of the intellectual charlatan.

1907 and 2012

Most people today can expect neither comfort nor upliftment from art. The ‘spiritualised’, the wealthy, the professional loafers crave only that which is devious, sensational, twisted and scandalous in modern art.

degeneracy 2

I myself have fed the people what they desired and I presented the critics with the most ridiculous thoughts that entered my and that is why I am rich. The less they understood, the greater was their admiration.


And as I played this game with them I became famous, and very rapidly indeed. For the painter, fame means he can sell his works and become prosperous. That is why I was feted.

Privately, however, I do not consider myself as an artist. I am just a common clown, a mountebank. I understood the times I lived in and I merely exploited the stupidity and vanity of my contemporaries.”



KEEP REAL NEWS OPEN: Donate by using PayPal, Western Union or registered mail. 2) Follow our blog. 3) Share our stories and 4) buy our books. 5) Receive free newsletters by writing subscribe to euroman_uk@yahoo.co.uk. Click ‘Mike Walsh’ to meet the publisher of The Ethnic European.

collage_History book -2
All are available on Amazon
Purchase on Amazon



Financial Investment.



  • An anecdote on Picasso, sometime in the early sixties, he was visited by a team of the RTF (Radio Télēvision Française – not yet the ORTF) in his Château in SW France. The interviewer commented on the many paintings of the ‘Master’ hanging obverse facing the wall on the walls of the fraud’s mansion.

    The interviewer: ”Maître… aren’t worried that they might be stolen? Is this fortune insured?”

    Answer: “« Aucune importance, elles [les toiles] ne sont pas signées… » (Notre to worry, I haven’t signed them yet)”.

    Salvador Dali (on whom Guy Breton coined the anagram: « Avidadollars » – “eager-to-cash-in-dollars”) once wrote the following lines on “The Master”:

    “Picasso is a Catalan and so am I.
    Picasso is an artist and so am I.
    Picasso is a genius and so am I.
    Picasso is a communist and NEITHER AM I”.

    Dali wrote in French a delightful and harsh pamphlet exposing the ‘Modern Art’ con job titled:

    « Les cocus du vieil art moderne » (Victims of the old ‘Modern’ art) – a typical Dalian surrealistic playing with words as when read in a straight line it reads «les cocus du vieillard moderne »
    (Conned by the ‘modern’ old man)… you should read it… art galleries owners and auctioneers positively hate it…

    Liked by 1 person

  • Correction:
    Instead of: “Maître… aren’t worried that they might be stolen? […]”.
    Answer: “[…]… » (Notre to worry, I haven’t signed them yet)”.”

    please read: “Maître… aren’t you worried that they might be stolen? […]”.
    Answer: “[…]… » (Not to worry, I haven’t signed them yet)”.”

    (Darn Cross-Langtages IA autocorrectio!!! Will proof-read twice next time…)


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s