YOUTUBE SCORES AN END OF GAME OWN GOAL
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YouTube can blame only itself for finding itself in a muddy ditch, flipped over, wheels spinning. YouTube executives decided in 2012 that the way to maximize advertising revenue was by maximizing views. They, therefore, instructed their programmers to rewrite its recommendation engine to reach the goal of 1 billion hours viewed a day.
A dilemma, video creators realised that the new algorithms amply rewarded video clips judged to be politically incorrect. Fiddling with its algorithms and constantly rejigging its content rules, YouTube has sought ever since to curb conservative views. Video creators have always found a way to observe the new demarcation line and still post politically incorrect content.
This continual redrawing of YouTube’s rules is on view again as it decided to purge all videos that promote ethnic-European nationalism. As ethnic-Whites alone are targeted, YouTube is displaying far more racism (anti-White) than those it ousts.
The entire conservative pro-White community is angry that YouTube is taking their content down. Academics and those of all ethnicities and political views find their legitimate research on anything relating to the Third Reich is now unavailable – to YouTube users.
YouTube really is a cesspit, and Google’s efforts to rein it in are often ham-handed. But it’s also an important public utility like a telephone or transport service. There’s a good reason to keep its freewheeling spirit alive.
As Bergen notes, YouTube committed itself early on to hosting astronomically huge numbers of videos against which it could sell lots of ads. Anybody can post a video to YouTube for free, and it seems like almost everybody has! Users upload 500 hours of video each minute. The site depends heavily on viewers to file complaints that make it easier to police the right-thinkers. As is well-known, Israel and the liberal-left are masters at organising surveillance and letters of protest en masse.
Clever conservatives and other ‘offenders’ will always find a way to navigate around YouTube’s ever-changing rules. As John Stuart Mill had it, silencing opinion harms humanity more than it does the silenced speaker. It denies us the chance of debate in which we have a chance of “exchanging error for truth.” Booksellers, ever-wary of a slippery slope, consider the long-term consequences of banning works from their premises.
YouTube purges have a way of spinning out of control. Its newest rules have resulted in the deletion of millions of videos that in the public arena are supremely legal. These include BBC and other mainstream documentaries on National Socialism and Fascism.
The include Leni Riefenstahl’s propaganda masterpiece Triumph of the Will, which is still used by conventional film studios to teach budding movie directors.
If the site continues to placate the organised offended it will ultimately become an as boring as Mao Tse Tung’s Little Red Book. As a consequence both interest, usage and advertising revenue will be massively reduced without achieving the aim of censoring ethnic-European conservatism.
YouTube’s purges won’t end the expression of politically incorrect thoughts, it will only push them to rivals. There’s nothing like the creation of forbidden fruit to stimulate interest.
The good thing about the purges is that they’ve awakened us to our over-dependence on the ease of use and no-cost service of YouTube and the other major virtual public squares, Twitter and Facebook, which have also cracked down on wrong-think.
Michael Walsh was awarded ‘Writer of the Year 2011’. With 60 books bearing his name, thousands of new stories and columns, Michael is arguably Britain and Europe’s most prolific author of multi-topic books none of which have been ghost-written.
MICHAEL WALSH is a journalist, broadcaster and the author of RISE OF THE SUN WEEL, EUROPE ARISE, TROTSKY’S WHITE NEGROES, MEGACAUST, THE ALLIED INVASION. DEATH OF A CITY, WITNESS TO HISTORY, THE BUSINESS BOOSTER and THE FIFTH COLUMN VOLUME I and II, and other book titles.
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